Since one begins with blank spaces that need to be trimmed anyway, there’s nothing to lose by inpainting the image before cropping it (if necessary).
AFFINITY PHOTO INPAINT BLANK PART OF DOCUMENT HOW TO
On the tutorials page for Affinity Photo there’s a video on how to create, store and use Macros and for the purposes of the tutorial they show how to inpaint the edges of an image after rotating it. Sometimes it works well, sometimes less so. How well Inpainting works depends on several factors, including the size of the blank area and the complexity of the image. This is different than the healing brush in Lightroom or Capture One, for example.
Users of Photoshop would know this as content-aware fill. However, Affinity Photo has a tool called Inpainting, and essentially Inpainting uses the surrounding pixels to try and interpolate what should be in those blank spaces. Now, normally at this point one would use the Crop tool to cut off those ragged edges and convert the image into a rectangular format: In any event, the result inevitably ends up with having some ragged edges, depending on how well one lines up the base images. In the film days this was called a photo-mosaic and its completion was much more complicated. When one creates a panorama in Affinity Photo (or any other panorama program), the software uses control points (matching features in two or more images) to bend, stretch, twist and manipulate the individual images into something resembling one image. Marcia and I were out at Rithet’s Bog recently and among the images made that day I took six images that were made into a panorama. A little while back we did a post on Affinity Photo, HDR and Panoramas this is a follow-up of sorts to that.
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